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One
of the most difficult Elements Of Art to teach art students about is Space.
Often students look up and ask what Space has to do with anything. How
an artists uses Space or chooses NOT to use Space adds a great deal to
a work of art. Space is so important, that we have names for the types
of Space in a work of art, Positive Space and Negative Space. Positive
Space is the space created by an image or a sculpture. Negative Space
is the Space around and between parts of an image or a sculpture. Let's
see how Space is used in a work of art.
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Henry Moore,
(British) 1895-1986,Reclining Figure, 1935-36
Elmwood, 19 x 35 x 15 in. Albright-Knox Art Gallery, Buffalo
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Look at this
wooden sculpture. Notice the open space carved through the torso
of the body. See how this opening gives interest to the carving.
The round shape created by the "hole" echoes the round
shape of the head and the rounded form of the shoulders. Moore deliberately
removed a piece of his sculpture.
Do you think
this was a good decision?
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Ben Shahn (American)
1898-1969, |
This poster
provides us with an interesting example of how artists use Space.
The carver, including his head, arms and tools represent the Positive
Space. The rest of the space becomes the Negative Space. Shahn chooses
not to leave the Negative Space empty. Instead he fills a large
portion of it with words. This Negative Space becomes a very important
part of Shahn's message. The words speak to us about what ideals
we, as humans, should live by. Shahn mentions ideas such as the
Right To Be Safe and Justice For All.
Note how the
arms of the carver encircle the words. Why did Shahn do that?
Here the man
appears to be "embracing the ideals" carved into the Negative
Space.
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Danielle, 8th Grade,
Urban Scene, Colored Pencil |
This is a student
work. It is an example of two-point perspective. There are two points
on either end of the horizontal horizon line (which is hidden behind
the buildings). The rules of perspective were developed during the
Renaissance Period (1400-1500's). Artist used these rules to create
a sense of three-dimensional space while drawing or painting on
a flat, two-dimensional surface.
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In this work,
you can see into the distance as your eyes are drawn to the sides
of the paper. Do you know why? A diagonal line is read by the human
eye as a movement line. The eye is drawn up the diagonal direction
and "into" the drawing.
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Salvador Dali (Spanish)
1904-1989, The Deterioration of The Persistence Of Memory
1952-54, Oil on Board, Dali Museum, St. Petersburg, FL |
This
is a unique work of art from the Surrealism movement. Surrealism artists
painted objects very realistically...but place objects together that
would never be found together. One could say that the artists painted
their dreams or nightmares. Salvador Dali was one of the great Surrealism
artists. How does he create a sense of Space in this painting?
He uses one-point perspective. The brick like blocks all appear to
be converging on one point on the horizon line. Look at the diagram
below.
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Andrew Wyeth, (American)
b. 1917, Christina's World, 1948
Tempera, 32 1/4 x 47 3/4 in., The Museum of Modern Art, New York
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This very famous
American painting is called Christina's World.
What is the
Positive Space? Christina and the houses in the distance are the
Positive Space.
Look at how much background Space or Negative Space the artist
left. There is so much more Negative Space. What does all this Space
do to the painting?
Do you sense
that Christina is lonely? Perhaps she feels apart from her home
and family.
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Paul Cezanne (French)
1839-1906, The Basket Of Apples, Oil on Canvas, 65 z 80 cm.,
Art Institute Of Chicago |
This work is
classified as a still life. A still life is a depiction of a group
of inanimate objects, such as flowers or fruit, usually arranged
by an artist. How do you think Cezanne created a sense of Space
in this work? Why do some objects look like they are in front of
other objects?
He overlaps the objects. The fruit is on top of the white cloth.
The cloth overlaps the bottle and bowls so they appear to be in
front of them. Objects that are lower on the canvas appear closer.
Objects that are placed higher up on the painting surface appear
further back.
By overlapping, artists can create a sense of depth.
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